Awards:
ADC Germany:
3x Gold
6x Silver
5x Bronce
4x Shortlist
ADC global:
1x Shortlist 2022, Laut gegen Nazis
Client List:
BCG, BMW, Deutsche Bahn, FDP,
Mercedes-Benz,
KFC, Ligne Roset, LBS (BANK), Gorillas, Zentralrat der Juden, ZDF,
Volunteering:
2015: Sorting clothes donation for war refugees.
Winter 2020 : Cold aid.
Since March 2022: First aid for war refugees three times a week
ADC Germany:
3x Gold
6x Silver
5x Bronce
4x Shortlist
ADC global:
1x Shortlist 2022, Laut gegen Nazis
Client List:
BCG, BMW, Deutsche Bahn, FDP,
Mercedes-Benz,
KFC, Ligne Roset, LBS (BANK), Gorillas, Zentralrat der Juden, ZDF,
Volunteering:
2015: Sorting clothes donation for war refugees.
Winter 2020 : Cold aid.
Since March 2022: First aid for war refugees three times a week
In September 1989 I was born in Hamburg. My parents, who come from Austria and Hungary, were always different from all other parents and had a strong influence on me. They gave me the opportunity to express
myself creatively as a child and so I played three instruments, swam in a team and took part in self-defence courses.
Directly after school I signed a modelling contract and lived in Milan, Paris and London at the age of 17.
After two years of traveling I returned to Hamburg to work as a photo assistant for the photographer Yvo von Renner, among others. But becoming a photographer did not interest me so despite all the warnings that Jung von Matt was a terrible employer, I started my apprenticeship as a Media Designer at Jung von Matt in Hamburg.
In my apprenticeship, I was missing the creative part and so in my last month as an apprentice I asked my instructor if I could have the opportunity to work in the creative department at Jung von Matt/Alster and it worked out. I did good, so I was taken on as a Junior in the Mercedes-Benz Team.
Losing Mercedes-Benz got me my first nail in the ADC coffin, with the idea of Trojan Recruiting. Immediately afterwards, I was brought into the pitch team at Jung von Matt and worked on many different clients, including BMW. I would describe my time at Jung von Matt as a tough but wonderful experience.
After my apprenticeship and two years as a junior, I felt like a change and so I moved to Berlin and started to work at BBDO. My clients were Deutsche Bahn and LBS. Both gave me the opportunity to gain a lot
of production experience.
In Berlin, everybody warned me about an agency again: Heimat. For me that was even more reason to accept their offer to come work for them as an Art Director. Heimat showed me my own style, thaught
me to lead teams and to still think and work effectively under great pressure. At Heimat I grew up. I was promoted to senior on the first of July 2021.
Besides my work as an art director, I do a lot of sports and Iยดm interested in politics.
myself creatively as a child and so I played three instruments, swam in a team and took part in self-defence courses.
Directly after school I signed a modelling contract and lived in Milan, Paris and London at the age of 17.
After two years of traveling I returned to Hamburg to work as a photo assistant for the photographer Yvo von Renner, among others. But becoming a photographer did not interest me so despite all the warnings that Jung von Matt was a terrible employer, I started my apprenticeship as a Media Designer at Jung von Matt in Hamburg.
In my apprenticeship, I was missing the creative part and so in my last month as an apprentice I asked my instructor if I could have the opportunity to work in the creative department at Jung von Matt/Alster and it worked out. I did good, so I was taken on as a Junior in the Mercedes-Benz Team.
Losing Mercedes-Benz got me my first nail in the ADC coffin, with the idea of Trojan Recruiting. Immediately afterwards, I was brought into the pitch team at Jung von Matt and worked on many different clients, including BMW. I would describe my time at Jung von Matt as a tough but wonderful experience.
After my apprenticeship and two years as a junior, I felt like a change and so I moved to Berlin and started to work at BBDO. My clients were Deutsche Bahn and LBS. Both gave me the opportunity to gain a lot
of production experience.
In Berlin, everybody warned me about an agency again: Heimat. For me that was even more reason to accept their offer to come work for them as an Art Director. Heimat showed me my own style, thaught
me to lead teams and to still think and work effectively under great pressure. At Heimat I grew up. I was promoted to senior on the first of July 2021.
Besides my work as an art director, I do a lot of sports and Iยดm interested in politics.